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Ethnodoxology: A Global Forum on Arts and Christian Faith
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  1. Home /
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  3. Vol 9 (2021)

Published: 2021-07-20

Articles

  • Returning to Nunusaku through Songwriting: Imagining Moluccan Identity and Reconciliation in the Songs of John Beay, Christian Tamaela, and Pontong
    Matt Connor
    A1–A15
    • PDF
  • A New Jesus: Christ for Any Nation
    Daryl Ireland
    A16 – A30
    • PDF
  • Crying Ukhai: Engaging the Mongolian Church with the Folk Rock Genre
    C. P. Troutman
    A31–A53
    • PDF
  • Struggling to be Creole: A Case Study of Musical Contextualization in the French Caribbean Evangelical Churches
    Ruth Labeth
    A54 – A70
    • PDF

Working papers

  • The Zande Akpaningba as a Source of Identity, Unity, and Joy
    Wendy Atkins
    WP1–WP6
    • PDF
  • Local Arts and the Missionary Task in Cameroon
    Roch Ntankeh
    WP7–WP11
    • PDF
  • Cloaked Communication: Empowering Women through Visual Arts in East Africa
    Youhee Deborah Kim
    WP12–WP19
    • PDF

Reviews

  • Wallpaper Worship: Why Church Music Sounds Better, Fewer Are Singing, And What to Do about It (Danny Byram)
    Michael Balonek
    R4 - R7
    • PDF
  • Christian Sacred Music of the Americas (Andrew Shenton and Joanna Smolko, editors)
    Elsen Elcio Portugal
    R8 - R12
    • pdf
  • Lifting Hearts to the Lord: Worship with John Calvin in Sixteenth-Century Geneva (Karin Maag)
    Bonnie B. Williams
    R1 - R3
    • PDF
  • Teaching across Cultures: Contextualizing Education for Global Mission (James E. Plueddemann)
    Anya Ezhevskaya
    R13–R15
    • PDF
  • Embodied Liturgy: Virtual Reality and Liturgical Theology in Conversation (C. Andrew Doyle)
    Neil R. Coulter
    R16–R21
    • PDF
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