"An Ethnodoxological Exploration

Examining the Arranger’s Insight into the Choral Arrangement 'Zamina Mina Yeako Aba.'"

Abstract

This article examines the Zamina Mina Yeako Aba choral arrangement from an ethnodoxological perspective, focusing on the original music video created by the Cameroonian Zangalewa Band. Guiding the narrative as the composer, I place it within the historical and migratory context of the Makossa ensemble, particularly highlighting the renowned Zamina Mina Waka Waka song. The study explores linguistic and cultural origins, providing insights into this iconic piece. Advocating for the integration of Zamina Mina Yeako Abao and similar choral arrangements into global Christian worship, this study emphasizes their intrinsic biblical themes. These arrangements underscore the importance of choral compositions, especially within Christian choral worship, in preserving cultural heritage, promoting unity, and contributing to worldwide Christian music. Blending Western and African musical elements strengthens the synergy and provides ethnodoxological insights into cross-cultural music-making in African choral music, demonstrating the connection between spirituality, tradition, and music.