https://artsandchristianfaith.org/index.php/journal <p>The<em> Global Forum on Arts and Christian Faith</em> is an electronic journal publication of the Global Ethnodoxology Network. The<em> Global Forum</em> features three sections: Articles, Working Papers, and Reviews. Article submissions are peer-reviewed and then published on the website; Working Papers and Reviews are not peer-reviewed. Each volume of the journal remains open for submissions for one calendar year, and submissions are welcome at any time.</p> <p>ISSN 2641-2918</p> Global Ethnodoxology Network en-US Global Forum on Arts and Christian Faith 2641-2918 <p>All articles will be assigned a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en_US" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>.</p><p><img src="/gfacf/public/site/images/neilcoulter/cc-by-nc-nd.png" alt="" /></p> https://artsandchristianfaith.org/index.php/journal/article/view/259 <p>This article identifies and interprets the symbolic meanings of images in Catholic churches in Ọ̀ṣun State, Nigeria. The study engages Panofsky’s theory of iconography and iconology, accompanied by semiotic theory and contextual theology, in conjunction with an understanding of Jesus' concept of "mysteries," to interpret the meanings of the artworks using an art historical, descriptive, and ethnographic approach. The findings show that, especially in an area with a significant traditional religious presence, these images, sacred icons, and symbols depict the liturgical ordinances and tradition of the Catholic Church. By drawing worshippers' attention to God, the Creator of Heaven and Earth, through devotion, prayer, and meditation, these artistic images, holy icons, and doctrinal symbols uphold their spiritual awareness. Furthermore, these pictorial images are good examples of culturally embedded symbols that intersect and act as a bridge between Catholic theology and indigenous Yorùbá spirituality. Therefore, the paper concludes that these images are relevant in the service of the Catholic churches as a form of visual catechesis, effectively educating viewers and faithful about Catholic teachings and values, reinforcing the Catholic doctrinal belief system for effective evangelism, where diverse traditional religions are deeply rooted.</p> Isaiah Ogunjimi Stephen Adéyẹmí Fọlárànmí Copyright (c) 2026 Isaiah Ogunjimi, Stephen Adéyẹmí Fọlárànmí http://creativecommons.org/licenses/by-nc-nd/4.0 2026-06-11 2026-06-11 14 A1 – A13 A1 – A13 https://artsandchristianfaith.org/index.php/journal/article/view/282 <p>Editorial note: In this edition of Ethnodoxology, we draw special attention to “Africa Sings!”—a creative initiative founded and directed by Beninese scholar<br>and musician Daniel Dama to build a bridge of peace through music between Muslims and Christians in central Benin and beyond. This report consists of two<br>features—a firsthand report by Robin Harris, arts administrator and professor at Dallas International University, who attended the “Africa Sings!” festival in<br>August 2025, followed by a description of the event itself written by Ken Kagicha and reprinted with permission from the September 1, 2025, edition of&nbsp;<em>Christian Daily International.</em></p> Robin Harris Copyright (c) 2026 Robin Harris http://creativecommons.org/licenses/by-nc-nd/4.0 2026-06-05 2026-06-05 14 WP1 – WP4 WP1 – WP4 https://artsandchristianfaith.org/index.php/journal/article/view/273 Melanie Henderson Copyright (c) 2026 Melanie Henderson http://creativecommons.org/licenses/by-nc-nd/4.0 2026-02-05 2026-02-05 14 R1 R4 https://artsandchristianfaith.org/index.php/journal/article/view/279 Jeremy Perigo Copyright (c) 2026 Jeremy Perigo http://creativecommons.org/licenses/by-nc-nd/4.0 2026-04-05 2026-04-05 14 R5–R7 R5–R7